Expérimentations

Kill Your Darlings*

It hasn’t been that long since I’ve enjoyed writing, that the delivery isn’t too painful and that I allow myself to be proud of some of my babies. It might have to do with the fact that I stopped wanting to write pretty and stopped wanting to have a style, my style. I just write. And I write a lot more than I used to. It helps. I remember a writing experience that was easy and satisfying for me, almost too easy. I wrote a paper about a group of clinicians’ discourses during the Quebec Charter of Value period, and it was published easily and quickly, without fuss. I often feel ashamed of my work, especially when I receive a rejection from an editor or a harsh review from the famous Reviewer 2. But this time, no. Nothing. No suffering. No painful writing sessions. No regrets. No shame. And this, despite a few negative comments from Reviewer 2, of course, but comments that slipped my mind like a duck’s back. Maybe it had to do with the attitude I had taken to write that time, in connection with the ritual I had set up. Not so much a procedural ritual, as a mental ritual of sorts. First of all, a coffee of course, and a not too crowded desk, ideally in a not too noisy environment. Impossible for me to write in bed. I need a certain tonus in the body to write. But above all, a certain obligation to write. That time, it was for work after all. I couldn’t waste my time on the web or procrastinate at work. I was paid to write. I had to write. Then, and I think this is the most important aspect here, I got into it without taking myself too seriously, without too much anxious anticipation, and without much expectations. I approached it by maintaining a certain nonchalance in my writing, even a certain automatism, a flow. An impulse that emerges not so much from the intellect but from the guts, from the body. Simply writing things as they come. Like I’m doing right now. One of my bad habits is to want to write well right away. To edit as I go along if you want. But how could that be possible? That cuts off creativity. And after all, to be able to kill my babies, or ‘kill your darlings’ as I’ve learned to say, you need to have a few babies ready or the family will be decimated. In short, a ritual I’d like to implement this semester would revolve around the idea of assigning myself specific writing periods, ideally early in the morning, and to adopt the attitude of writing as it comes, writing a lot, writing true and unpretentiously, and letting it rest before editing.

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I was looking forward to digging through my field notes to unfold a sentence that would open up a forgotten experience. Well, my handwritten notes are in the office. I don’t have them with me. But I remember writing a note from a meeting during my fieldwork, and I remember thinking as I wrote that note that something important had just happened. I still have the scene in my head. The moment took place during a transcultural seminar meeting. These are meetings during which a clinical case is presented by a clinician and discussed with the group to complexify the understanding of the situation and the potential interventions. That morning, the seminar was held in a new place and we felt less comfortable there. It was in a different building. The room was too cold and big, even if a few people tried to reposition the tables and chairs to form a circle, a rectangle I should say, that was not too big and therefore warmer than the initial configuration. The clinical situation discussed was very sad. It evoked a lot of suffering. It was about a family that had lived in a refugee camp for a long time and had recently arrived in Montreal whose mother seemed overwhelmed by her new reality. Overwhelmed by all these new ways, all these new places, all these new relationships. How to dress the children in winter? Where to store the food? In the drawers? And what to do with the garbage? How to report to school? The note that still haunts me is these three words uttered by a school psychologist who attended the meeting. « Just like animals ». I remember feeling a punch in the gut that cut my breath when I heard those words being spoken. I remember realizing in the blink of an eye that this woman, as she spoke those words, could not see how terrible they were. Did not feel the extent of their violence and insensitivity, did not feel any shame. Unlike me, who could feel my cheeks turning red, resonating with the shame that this woman should have felt when she spoke her words (or the shame that this mother would feel if she heard them?) In a flash, I knew that Valerie, the facilitator of the meeting, had shuddered as much as I had when I heard the words. I didn’t need to look at her, I knew it, I could feel it. The atmosphere was charged. I looked up at her furtively and our outraged eyes met. « Just like animals », we repeated to each other without speaking. I saw the anger growling in Valerie’s face, her lower lip trembling as a sign of her emotion. Time stood still. And I was afraid. Afraid that the psychologist had seen the exchange of our glances, afraid that other people had witnessed the scene, afraid that the person sitting next to me had seen me scribbling the words on my page, afraid that the welcoming atmosphere that we had been trying to install in these meetings for months, from which depended the possibility for clinicians to open up to cultural differences, had been damaged. How could we then get these clinicians to take cultural differences into account in a respectful and non-violent way if the people in charge of accompanying them were seen as so judgmental? I remember those few seconds as if they had happened yesterday, but what happened next, what Valérie did after that, what the psychologist took from the discussion, I have no memory of that. Only this trace on my notes and the feeling of warmth on my cheeks.

*This piece is a result of the following probe for a writing exercise:

Think about a positive writing experience and reflect on the rituals you put in place before, during, and after writing. What rituals might you incorporate into your writing this semester?

Following Joan Didion’s “On Keeping a Notebook” look at your fieldnotes, journal (whatever it is). Pick out a line that seems pregnant but unexplored—something you saw but did not have the full context for. Write an imaginative piece that unravels the line.